Kolamaavu Kokila COCO review

Kolamaavu Kokila sets aside some opportunity to construct its establishment yet Nelson hits gold with the dim diversion. We get the opportunity to meet Kokila (Nayanthara) and her family involving Saranya Ponvannan, Jacqueline and RS Shivaji. Kokila lands expelled from her position after she declines to humor her supervisor's lewd gestures. Her mom is determined to have lung disease with a sticker price of Rs 15 lakh set on her life. A group of restricted means, Kokila attempts to get the cash through a few means advances, NGOs, relatives. When nothing works out and she risks upon a connection with a sneaking posse, she conveys Kolamaavu (slang for cocaine) for the cash.

While the references to Breaking Bad are very self-evident, Kolamaavu Kokila has a considerable measure working to support her. The film takes its generalizations and wonderfully subverts them all in all, hence pushing the film into a position of consistent incongruity. No one expects a bashful, wonderful lady like Kokila to convey drugs. Her accommodation is continually misinterpreted for naivety; no one anticipates that her will be road savvy and turn the tables. This difference between what it is and what it is considered to be stretches out past the storyline to its treatment also. Nelson makes Saranya Ponvannan, who could patent her warm-hovering mother symbol, perform murders. Then again, he makes the faltering, stammering Kokila who shudders in fear at seeing a firearm convincingly dupe hoodlums and policemen. It nearly feels like he has taken the hesitant, coy courageous woman that Kollywood cherishes and given it a tart turn.

Kokila is a splendidly composed character, perfectly played by Nayanthara. She truly offers the calm symbol, too well to possibly be straightforward. Furthermore, she doesn't vacillate. Indeed, even the 'mass minutes' in Kolamaavu Kokila are a subversion to what we get in standard business films. Nayanthara persuades a criminal to murder his own particular men. Be that as it may, she requests that he shoot after she dismisses. As she leaves with the discharge sound out of sight, there is no feeling of achievement, just fear. In another incredible succession, where she is made to shoot a man, she doesn't look at him without flinching with bombast like our saints do. Rather, her eyes travel down. (Anirudh's Gun-in Kadhal is splendidly set here.) The woman genius is in some fine organization with regards to exhibitions. Saranya Ponnvannan and Yogi Babu are in fine shape with whatever is left of the cast conveying what they have to also.

Immovably put in the neo-noir space, Kolamaavu Kokila's lighting and sound go far to keep up its state of mind and upgrade the impact of its written work. There is some awesome surrounding by cinematographer Sivakumar Vijayan and some vital shots too. Nayanthara is always surrounded against columns, windows railings of windows, transport stops and so on – a sign that she is a detainee of condition. A few all around set casing in-outline shots make for extraordinary visuals as well as swing to be allegories for the characters in the edge. Anirudh's energetic foundation score fits the topic perfectly.

Nayanthara is leading an adjustment in Tamil silver screen, one that it merits. With her sharp selection of contents and chiefs, she is gradually demonstrating that silver screen isn't only a man's reality any longer. Hopefully that she keeps up her streak, changing viewpoints as she proceeds.

Karwaan Movie late review

Life resembles that. It takes some unusual wanders aimlessly to at last put you on the correct street. Obviously, the "right" is regularly the wrong for a few of us.

In a grouping that would have been significantly diverting on the off chance that it were not all that appalling, an excellent woman (Amala Akinneni, on the off chance that you should know) takes a gander at two pine boxes and tells Dulquer, "The correct one is your dad".

"Up until now," murmurs Dulquer, "the correct one was the wrong one for me." Well, ha to that.

Uncovering humor from the innards of mortality is never simple. Essayist chief Akarsh Khurana endeavors the close inconceivable and thinks of a film that never outrages, notwithstanding when it represents some difficult issues of pacing.

You realize that the film is searching for approaches to keep the excursion going when there are superfluous bypasses in transit. Furthermore, why not? Dulquer's Avinash is a subdued, troubled 10-5 nerd who detests his tormenting manager (Adhaar Khurana) and needs nothing additionally, not all that much, than to break out of his official prison and... All things considered, simply shoot pictures with a real camera, not its advanced doppelgangers.

Here, I should state "Karwaan" appears to be roused by the Netflix film "Kodachrome" where the irritated dad and child (played by Ed Harris and Jason Sudeikis) take off on an excursion with a medical attendant after the dad is found to be in critical condition.

The dad in "Karwaan" (played by the ever-noble aloofness imposing Akarsh Khurana) is dead when the film opens. He is likewise bound and determined amid his lifetime against his child's picked profession as a picture taker. In a flashback, we see the patriarch scoff, "Figure out how to play the dhol alongside photography you can offer yourself as a wedding bundle."

The curbed picture taker child's talks on advanced versus-genuine with the spunky Tanya (shining debutante Mithala Palkar) were likewise heard in "Kodachrome".

Little world. However, Akarsh Khurana conveys his own one of a kind perspective to the figure of speech driven story of antagonism and compromise. While Dulquer Salman's Repressed Executive and Mithila Palkar's Rebellious Collegian were seen over and over on-screen in different symbols, Irrfan's Shaukat, a Muslim wheel merchant who wears his bias and favorableness on his sleeve with no conciliatory sentiment and next to no elegance, is a special substance. Agreeable in his scumming on the grounds that he doesn't conceal it.

Irrfan is the main performing artist on the planet who can arrange a young lady to cover her legs previously she gets into his auto, without resembling an offspring of Osama canister Laden. He has a lot of fun with his part notwithstanding when the excursion goes appallingly off-track. At a certain point, the three heroes gatecrash into wedding and what takes after isn't at all interesting, in spite of the fact that it is intended to be. Somewhere else, Irrfan's Shaukat ridicules a vacationer couple in Hindi, not clever by any means.

Vishwaroopam 2 late review

Kamal Haasan's Vishwaroopam 2 is a blended pack, when you contrast it and the initial segment. The spin-off is a continuation of the plot, with a protracted clarification attempting to interface the two movies. The account winds up returning and forward and doesn't feel rational. In the event that you haven't viewed the first film, it is hard to comprehend what's happening and comprehend the thought processes of the characters. Anyway it's the stimulation factor of the film that eventually triumphs, and you're ready to move past the issues in Vishwaroopam 2 because of Kamal Haasan's matchless style and panache.

Kamal Haasan, in numerous ongoing meetings, had clarified that Vishwaroopam 2 is both a spin-off and a prequel, and it is bundled as a Hollywood-style spy spine chiller. So don't search for a story here, simply kick back and watch the film one that is exchange driven with enough indications tossed about his political belief system. The political message scene between the saint, an energetic Muslim, and the terrorist, a Hindu Brahmin is certain to get commendation as a group.

The undertakings of the Indian RAW operator Wisam (Kamal Hassan) proceeds in Vishwaroopam 2. He has incomplete business: to chase down the Al Qaeda psychological oppressor Omar (Rahul Bose), who got away in the initial segment. Omar and his companions, incorporating a backstabber in the Indian international safe haven Iyer (Ananth Mahadevan), are wanting to bomb London and Delhi. Thus Wisam — supported by his superior (Shekhar Kapoor), his right hand Ashmita Subramaniam (Andrea) and his wife Nirupama (Pooja Kumar), who is an atomic oncologist chooses to go up against Omar and his group.

For a change, the female characters get relatively equivalent balance as Kamal Haasan in the film. Andrea Jeremiah has the better part as Kamal's correct hand lady, who gets decent lines and an all around arranged activity scene, however her character has a sudden end. Pooja Kumar plays Haasan's significant other and gets a major scene when she jumps into the ocean alongside the British Navy and finds 500 tons of live explosives that ran down with a payload transport; this would have been utilized by the fear mongers to explode London. Her sentiment with Kamal Haasan is done in a tasteful way. Shekhar Kapoor has scarcely much to do, while Waheeda Rehman, who plays Haasan's mother experiencing Alzheimer, end up amidst nostalgic scenes that delay.

The main attraction of the film is Kamal Haasan, who doesn't look his age (63) and actions, sentiment and discourse conveyance without breaking a sweat and style. A portion of the activity scenes are all around arranged. Ghibran's music is a noteworthy in addition to point. However, the continuation is no place close to the initial segment and looks extended (2 hours 21 minutes). Despite the fact that section two does not have the artfulness of section one, Vishwaroopam 2 is as yet a performer.

Baahubali 2: The Conclusion

Baahubali 2 is one film which has been anticipated with colossal interest everywhere. With the section one doing insane business, the buzz for the second part is colossal in the south as well as everywhere throughout the world. The first show of the movie was at 4 a.m that went house full at Urvashi. It was really an entertainer with the movie been watched by the big crowd. This experience does happen only with Rajinikant movies. But, Baahubali gave this experience making the movie more important.

 

The Beginning starts with Mahishmati realm's ruler mother Sivagami (Ramya Krishnan) giving up her life to spare the imperial infant (Mahendra Baahubali, child of Amarendra Baahubali). Tribal ruler Sanga (Rohini) raises the child as Shivudu. One day, he unearths a wooden veil and tracks down its ruler, Avanthika (Tamannaah) who is set for protecting Devasena (Anushka Shetty), their previous ruler, who is held hostage by sovereign Bhallala Deva (Rana Daggubati) for right around 25 years. He goes gaga for Avanthika and help her in protecting Devasena without realizing that the lady is his own mother, spouse of Amarendra Baahubali. That is when Kattappa (Sathyaraj) uncovers the flashback of Shivadu's dad and the film closes with the lord's regal slave saying he murdered Baahubali, and his explanation behind the demonstration is the plotline of the continuation, Baahubali: The Conclusion.

The second episode begins once Queen Mother Sivagami delegates Amrendra Bahubali as the future ruler. In this result, Baahubali visits a little kingdom called Kuntala and becomes hopelessly enamored with its princess Devasena (Anushka). In any case, in Twist, Baahubali's mom, Shivagami changes her choice and declares Bhallaladeva as the ruler. Why did Shivagami made the decision to declare Bhallaladeva as the lord? What is the story behind the choice of Bhallaladeva?  What's more, why did Kattappa kill Baahubali? To know answers to these inquiries, you have to watch the film on your nearest theater.  

The movie gives you a visual treat having more effects than the first part. The succession of scenes which trail Kattappa Killed Baahubali will make you required in the whole film. The lead performing artist close to Rana is one all the more huge thing required in the motion picture. The ensembles, dramatization displayed and exhibitions are a first of its kind in Telugu movies. What takes Baahubali to its crest is the dazzling foundation score of M Keeravani. Despite the fact that his tunes are Average that powerful as the Baahubali The Beginning the way he hoists the procedures with his score is amazing.  Ramya Krishna as Sivagami has gave a valiant effort what she has done to a limited extent one. Sathyaraj is outstanding as Kattappa, a faithful worker of ruler. Performing artist Subbaraju Plays Nice Roles in Second Part. He assumed the part of a quitter who changes into a warrior. There is funniness appended to his character. Nassar has played a character that looks threatening on occasion and entertaining in different scenes. Tamanna has a little part to play in this film and comes towards the end. Tamanna is barely observed amid the end. There are sure ranges in the film where pace gets moving slowly and some unforced show surpasses the procedures. The sentiment amongst Prabhas and Anushka could have been altered out a bit to ensure to watch the film to divulge everything and wrap the conclusion before you decide on the film.

Rating: 4 / 5

Raajkumara movie review

After giving some successful movies power star is back with yet another family entertainer hit Raajkumara. The movie also has a big star cast giving the movie making the audience so entertained. The big cast included Ananth Nag, Sharath Kumaar, Prakash Raj, Avinash and chikanna apart from main actors Puneeth Rajkumar and Priya Anand. The songs have come good with the music already a hit before the release. Credit goes to V. Harikrishna who composed the songs for the movie. 

Santhosh Ananddram who is the writer and the director of the movie has given an entertainer with no double meaning dialogues or irritating comedy scenes. The director has no big story to tell but the way it is put for viewing has made it a hit. Raajkumara revolves around the life of Siddarth played by Puneeth Rajkumar and his father played by R Sharathkumar. Problem arises when he falls in love with Priya Anand. This is narrated with comedy being the main genre of the movie. 

Coming to the cinematography, it is not that great but a good to view as in many other Puneeth movies. As told before Puneeth and other star cast has given the best out of them to make the movie a must watch. The dialogue delivery and the action scenes from the main lead is appreciated well with the audience.

Movie: Raajkumara

Cast: Puneeth Rajkumar, Priya Anand, R. Sharath Kumar, Ananth Nag, Prakash Raj and more

Director: Santhosh Ananddram

Writer: Santhosh Ananddram

Producer: Vijay Kiragandur

Trailer:

Rating: 3.5/5

Angamaly Diaries movie reviews

After the failure of “Double Barrel” director Lijo Jose Pellissery is back with a small town gangster movie “Angamaly Diaries”. The movie was penned by Charlie fame Chemban Vinod Jose. Movie is having crowd of artists filled with 86 of them debuting.  Angamaly Diaries is crafted well with realistic dialogues and no high end fights as the other movies give. Action scenes are also been captured well bringing the skills of camera man at the point. 

The movie show cases the story of Vincent Pepe (Antony Varghese) who likes to have a gang of his own inspired by the present gang who solves the issues happening in Angamaly. He then find group of friends who turns into a gang who starts to solve small issue of the people of the town they live. Pepe with his friends try to open a pork shop in the city that ends them into big problem. What that problem is and how they resolved it is the story line that is told with comic flavor. Camera work is brilliant with shots been taken with perfection as the director required. Especially the fights between gangs are done correctly as reality style shown more than a filmy dishum dishum. The other advantage of this movie is the background score that is used when necessary.

Trailer:

 

After watching the movie there will be people who will go to this place for their holiday with love for trees, traffic less life and water all together. The city has two things that is important as per this movie, the first is the pork shows and the second the fights with human blood flowing around. The performance of each actor is up to the mark and most of them having negative shade to the character.