MOTTA SHIVA KETTA SHIVA Review

The film starts with a merciless and yearning, yet entertaining (yes, you read it right) government official GK (Ashutosh Rana) making the correct moves for his child Sanjay (Vamsi Krishna) to exceed expectations in legislative issues. A senior cop (Sathyaraj) who is miffed with GK's unlawful business trusts that a challenging officer will join the office to check the exercises. Enter Shiva (Lawrence), who takes part in a half-clever, half-genuine battle grouping in a woodland to spare a priest (VTV Ganesh). With the proposal of the clergyman, Shiva assumes responsibility as ACP in Chennai.

He moves intimately with GK and helps the neighborhood hooligans to acquire cash through unlawful ways, which goads Sathyaraj's character. An untoward occurrence, which includes GK's child, however transforms him, making him understand the power and obligation of police. From that point on, he is found in a 'brute mode' going up against the baddies, aside from the events where he meets his woman cherish (Nikki Galrani), who plays a TV writer.

Lawrence, obviously, exceeds expectations in beautiful moves in the move groupings, battles with effortlessness and pulls off the part of a cop adequately with his demeanor. Be that as it may, the scenes including his passionate flashback need conviction and could have been produced betterly. The character of Sathyaraj is side-lined frequently, while that of Ashutosh Rana confronts nativity issues. Despite the fact that the film brags a pack of performing artists like Kovai Sarala, Sathish, VTV Ganesh, Thambi Ramaiah, and so on, their parts seem more as broadened cameos. A couple of scenes which were charming (somewhat conventional) in the Telugu form, similar to the change of the saint and the father-child relationship, seem inadequate here. The odd scene (because of execution) of moms pounding their school going youngsters, one of the cumbersome scenes in Pataas, has been held in this form, as well. In any case, the film takes after the consistent layout of a cop story.

The tunes Hara Mahadeva Ki, including Raai Laxmi, and Adaludan Paadalai Kettu, a remix of the yesteryear MGR tune, which has Nikki Galrani, give abundant extension to fabulousness and the on-screen characters add some oomph component to keep the watchers stuck to the screen.