Movie: Muthuramalingam
Language: Tamil
Cast: Gautham Karthik, Priya Anand
REVIEW:
Similarly as some other Village, here is Napoleon a decent willed man with his family adjacent Tirunelveli. His energy towards the Silambattam wear made him a Guru of different types to his town and his two children, with Gautam Karthik being the most youthful. As regular the keep running up of first half is packaged with rushed drama from Singam Puli and co, then from no place the Hero and courageous woman experience passionate feelings for, rapidly make the most of their time before connecting with guardians and shockingly it turns into an all family issue with both sides consenting to the marriage. Presently with this, Gautam Karthik's portrayal requires to be rough, a strong masala fellow with an overwhelming shoulder. The performing artist has put in complete self into the demonstration, there are no questions there and it's apparent in the greater part of the trick groupings, particularly amid Silambattam, yet some way or another it's either his appearance or non-verbal communication that gives it away obtusely. While we sit tight for the turn in the story there is a Silambattam rivalry in the neighboring towns and for reasons unknown Napoleon does not need his people to take an interest in the opposition, yet being the adrenaline junkie that he is our legend sets foot to the town and crap hits the fan. Does he confesses all? Well watch and discover, there is additionally a fascinating turn toward the peak.
In what could have been an intriguing plot, the chief puts poor altering and screenplay at presentation and riches the once-over of occasions. In the wake of balancing a fitting interim square, the second half which could have been all the more intriguing tragically has restricted extension for extemporization. With gifted on-screen characters like Fefsi Vijayan, Vamsi Krishna, Rekha,Vivek the scripting and discoursed don't do much good. Vivek tries to summon jokes and whatever he is, best case scenario, however unfortunately that goes down without much diversion stuck. The Police pursue up in the second half with a slipping away Gautam Karthik makes an outstanding develop, yet with inappropriate altering and screen nearness it kills the fervor. Ilayaraja has dependably been getting it done in Village driven flicks, however neither the BGM nor the tunes (aside from the principal vocals of Kamal ), there is exceptionally restricted detail with regards to music as well.
The greatest quality of the motion picture is effectively Napoleon, he conveys the heaviness of requiring a gigantic screen nearness of a head without hardly lifting a finger. A long time of development as an activity saint is clear, for the performing artist is taking care of business in this part. While Gautam Karthik's exertion will be praised, he appears oddball for this part, his rotund mentality and non-verbal communication does not have the mass kick the character needs. The trick successions for the Silambattam are choreographed incredibly well and Gautam Karthik appears to have done the homework required for this physical test and is especially apparent on the screen. Priya Anand, an incredible pretty woman and a capable on-screen character has her show to a decent degree in the principal half. Despite the fact that overflows a squeeze of undesirable excitement indicates she can draw of any part with care.
Rajadurai's bearing is presumably the greatest disappointment with nothing grasping or sufficiently strong to get the screenplay going. The motion picture perhaps could have done well on the off chance that it was discharged in the 80's, for it had the typical town quintessence with a troupe cast as well.
Rating: 1.5/5
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