Oozham movie review

Movie: Oozham

Language: Malayalam

Cast: Prithviraj Sukumaran, Divya Pillai

Trailer: 

 

Review: 

Pretty much 30 minutes into Oozham, Jeethu Joseph lays everything on the table — the miscreants, the occurrence that would turn into the purpose behind retribution and the whole profundity and expansiveness of the curve scoundrel's messy organizations. Like the crowd, even the hero Surya (Prithviraj) sees the occurrence survive the webcam, subsequently taking without end the component of anticipation that has stamped two of Jeethu's effective thrillers Memories and Drishyam.

Krishnamurthy (Balachandra Menon), a legit wellbeing monitor with a lobbyist curve of brain, annoys a restorative mammoth with his curiosity, which demonstrates too expensive for his family. His child Surya (Prithviraj), working in the U.S., heads back home to deliver retribution. At the center of his vengeance is his mastery in controlled blasts. Dissimilar to in common thrillers, the tables are turned here at an early stage. We get the chance to see the dread inching up in the psyche of Marcus (Jayaprakash), the effective leader of the therapeutic organization, as an obscure element hits him where it harms. The movie producer is obviously delighting in the power that the underdog uses over the intense foe. The non-straight story, the activity moves forward and backward between a constant pursue succession and the occasions paving the way to it.

In any case, after a point, the pursuit, which is carefully grafted in with coordinating slices to the next track, gets to be distinctly repetitive. Think about how Jeethu arrived upon this thought of utilizing a solitary pursue grouping as one of the tracks in a two-track non-straight story. In the event that despite everything it holds up to some degree, it has much to do with the relative quality of the parallel track.

With the whole reprisal laying on Surya's aptitude in controlled blasts, the curiosity wears off after the second hit. Things are livened up in the second half with the landing of a contracted hit-man, Captain (Pasupathy). The script, which honorably shuns the required sentimental track, in any case, breaks apart post-interim. Yet, and still, at the end of the day, Jeethu figures out how to keep the film in the watchable domain.

Rating: 3/5