Language: Tamil
Cast: Sivakarthikeyan, Soori, Keerthy Suresh
Rajini Murugan locks horns with Yezharai Mookkan who tries to get a share of Murugan's familial property by stigmatizing his granddad.
Rajini Murugan strengthens what we had gained from Varuthapadatha Vaalibar Sangam — executive Ponram has a style for engaging us even with a story that sounds dated and stereotypical. The film really feels like a greater amount of what we had found in the before one (the executive even figures out how to connect the two movies in the peak), yet groups a feeling of joie de vivre that lifts it up and keeps us entertained.
With respect to the plot, it spins around Rajini Murugan (Sivakarthikeyan), a joyful (Tamil film slang for wastrel) youth, whose lone care on the planet is to wed Karthika (Keerthy Suresh), his adolescence sweetheart.
Tragically, their once agreeable fathers are currently not on talking terms. Along these lines, with his companion Thothadri (Soori) close behind, he begins charming her. Then, Yezharai Mookkan (Samuthirakani), a hooligan (of sorts), tries to get a share of Murugan's genealogical property by stigmatizing his granddad Ayyankaalai (Rajkiran). Obviously, everything closes well. Also, no, this isn't a spoiler.
Something for everybody is by all accounts Ponram's logic here thus he gives us sentiment, tunes, villainy, family drama — all bound with a touch of satire and introduced to us in eye-poppingly brilliant visuals (the cinematographer is Balasubramaniem). Rajkiran has a great time playing the patriarch and furthermore gets a scene at last to get all of us passionate. Yezharai Mookkan does not appear to be the sort of reprobate who should be dreaded and Samuthirakani assumes this part with the appropriate add up to earnestness so we don't markdown his dangers altogether either. With respect to Sivakarthikeyan and Soori, they appear to have grabbed from where they cleared out off in Varuthapadatha Vaalibar Sangam. Genuine their shtick is somewhat unsurprising however they figure out how to convey the snickers. Also, obviously, the film is overlong with endless tunes and comic scenes that could have been left at the altering table. It is additionally absolutely unambitious, content with clearing its low bar, yet this straightforwardness is likewise what makes it work to a degree.
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